Printed Matter is pleased to present an offering of discounted rare and out-of-print items. Available at up to 25% off, this selection of historical works reflects a number of approaches to artist publishing as a conceptual practice through the 1960’s and 70’s. These publications, both well and lesser known, give fascinating insight into a budding art-form that brought together text and images into something fundamentally accessible and offered unlimited aesthetic possibilities to its many practitioners.

Among available publications is Stamped Indelibly, a signed 1967 portfolio of rubber-stamp works, including contributions from Andy Warhol, Claes Oldenburg, Robert Indiana, Red Grooms, and others – an exceedingly rare copy still sealed in its original wrap. Perhaps more widely known is the Bruce Nauman’s seminal LA AIR (1970), published by Multiples, Inc, an offset-printed square format project which enumerated the hazy skyscapes of Los Angeles, each page comprised of only an expansive color field. For other artists, the physicality of the book form became a vital component of the project. John Baldessari’s Fable or Rupprecht Geiger’s self-titled portfolio, for example, employed the folded page as a means of both concealing and revealing hidden aspects of the work.