Taking her text, “Feeling the Space,” originally published in The New York TimesAugust 24, 1973, and a single photograph of a view from the window of a spare room, Yoko Ono constructs a book-length meditation on the dissolvable boundaries between people. As if to reinforce the point, the image too is subjected to a slow dissolve: pixelated and then abstracted by a slow zoom that renders it completely abstract. Each page of text is laid out next to shifting arrangements of light-saturated pixels which then start to come together as the camera pulls out to reveal the original image intact. The book, which was made to accompany Ono’s exhibition at the Musée d'Art Moderne de la Ville de Paris, WOMEN’S ROOM is an elegant document of a moment of introspection.