The mission of JAB is “to engage with the field of artists’ books by means of critical discourse and creative exploration of the intersections of book arts, artists’ books, poetry, photography, experimental literature, printmaking, graphic design, and other book-related creative endeavors.”

For this 25th issue, guest editor Tony White compiles a series of articles that focus on high-speed rotary offset printing and the various ways artists have used offset in the creation of their work. Amanda D'Amico talks to Patty Smith and Lori Spencer of the Borowsky Center; Cynthia Marsh discovers 20 truths about Clifton Meador; and Pattie Belle Hastings celebrates Philip Zimmerman’s 1980 book Options for Color Separation: An Artist’s Handbook.