Gary Richman addresses the representation of Native Americans in Coyote and Quails. Graphics are presented in the same format on each page—four depictions of Native American faces appear in a cross, paired with other photographs and clip art. He does not shy away from discomfort—including found caricatured drawings and logos of American football teams like the Washington Redskins. Richman also includes two intertwined texts that provide an awareness to his controversial work. The first is a myth shared by Pima and Navajo people, about a Coyote who is attacked and then offered pieces of himself by Quails. The other is a lyrical poem in all capital letters, discussing the place of Native Americans in contemporary society, reading like one of Jenny Holzer’s Inflammatory Essays. The two narratives loosely interact when Richman writes, “I HAVE SEEN THE FAT CUT THE LEAN, AND I HAVE SEEN THE LEAN EAT THEIR PARENTS.” Richman’s bold, collaged texts serve as a much needed reflection on contemporary treatment of Native Americans.