Die Sonne Ter Mond is divided into three parts. Part one deals with the living conditions of a man inhabiting a cave in one of the most expensive areas of Salzburg called Aigen. I got to know the man randomly in the woods and started to talk with him about life in a cave, walking, silence, and art. Part two focuses on forest huts built by children. I am intrigued by the purposelessness of their constructions, which sometimes look like installations of art themselves. The final part further reduces the language of the image; from the structural photographs of the forest huts, now only monochrome pictures of nature remain. All three parts question what is viewed as art and what’s left outside of it, as well as who decides. - Agnes Prammer