No Day Without its Line explores various historical or mythological occurrences where the act of drawing or mark-making appears. These narratives are contextualized alongside the practices of artists and writers such as Albrecht Dürer, Agnes Martin, Emma Kunz, and Charles Olson. This publication investigates the ontological and phenomenological reverberations of non-representational gestures and posits that rudimentary mark-making developed language and abstract thought.

No Day Without its Line considers how non-representational marks have structured and oriented perception and how this has been manifested through mythological stories, rituals, and magical acts in order to produce patterns, meaning, and order in the world. - Moniker Press